16th century Bolognese school

Bolognese school of the 16th century.
"The mystical marriage of St. Catherine".
Oil on panel.
Reinforced. Enlarged on both sides approximately 3 cm and 2 cm.
With remains of an old label on the back.
It presents old restorations, faults and flaws.
- We thank Professor Emilio Negro, who informed us by e-mail and digital photograph on April 3, 2023: "La tavola è opera de Giulio Francia e bottega".
Measurements: 60 x 49 cm.

This painting is a devotional representation of a popular theme in Christian art: the mystical marriage of St. Catherine of Alexandria. The work, from the school of Bologna, presents an intimate and solemn composition that focuses on the sacred interaction between the figures. In the center, the Virgin Mary tenderly holds the Christ Child on her lap. Her face, framed by a dark veil and a subtle, barely visible halo, expresses a mixture of solemnity, melancholy and maternal love. Her gaze is directed downward, contemplating the mystical union that is about to occur. She is dressed in traditional attire with a reddish robe and a dark cloak. With her right hand, she delicately guides the Child's hand into that of Saint Catherine. Depicted as a robust and full of life baby, El Niño Jesus sits on his mother's knee. He turns his body and extends his right hand to place a ring (the symbol of spiritual union) on St. Catherine's finger. His gesture is the focal point of the painting's narrative. On the right, St. Catherine kneels with an expression of humble devotion and reverence. She is depicted as a young girl of idealized beauty, her gaze lowered to the Child's hand. Her clothing, with rich fabrics in golden and ochre tones, alludes to her noble origin (she was a princess, according to tradition). She extends her right hand, ready to receive the ring that will unite her spiritually to Christ. In the background, to the left, the figure of St. Joseph emerges from the half-light. His presence is discreet, acting as a protective witness to the sacred scene. His bearded face shows a serene and contemplative expression.

The style of the painting is characteristic of the Italian High Renaissance, particularly of the Bolognese school influenced by artists such as Raphael and Perugino. The use of sfumato, a soft shading technique that blurs the contours to create a delicate and realistic atmosphere, especially visible in the faces and skin of the figures. The composition is balanced and harmonious, with the main figures forming a pyramidal structure that brings stability and calm to the scene. The color palette is sober but rich, dominated by warm and earthy tones that reinforce the intimate and spiritual atmosphere.