Max Rentel
"Portrait of an old man".
Oil on panel.
Presents labels on the back.
Signed in the lower left corner.
Measurements. 32 x 24 cm; 49 x 41 cm (frame).
Open live auction

BID HISTORY
DESCRIPTION
MAX RENTEL (Germany, 1850-1911)
"Portrait of an old man".
Oil on panel.
Presents labels on the back.
Signed in the lower left corner.
Measurements. 32 x 24 cm; 49 x 41 cm (frame).
Portrait of great naturalism in which an old man of bust is represented on a neutral background. The face is the absolute protagonist of the work, magnificently modeled through a wise use of lights and shadows, with successful hallmarks that enhance the plasticity of the features. The character is treated with drama and deep mysticism,
Max Rentel was a German painter active during the last third of the 19th century and the first years of the 20th century, linked to the romantic realism and pictorial historicism that marked the artistic production of his time. Rentel was part of that extensive generation of European artists who masterfully cultivated genre painting, a historical genre highly appreciated by the bourgeoisie of the period.
Born in 1850 in Germany, Rentel was probably trained within the traditional academic system, influenced by the historicist currents of his time, with a predilection for genre scenes, portraits and dramatic representations of literary or historical inspiration. His style is characterized by a refined treatment of color, attention to detail in clothing and architecture, and a strong narrative charge in the composition of his scenes.
Throughout his career, Rentel produced works that evidenced an interest in the scenic and the symbolic, sometimes with romantic or moralizing overtones, aligning himself with the artistic sensibility of the late 19th century. His work is inscribed in a European context where art sought both to document and idealize the past, in the midst of a growing taste for the picturesque and the dramatic.
He died in 1911, leaving an artistic legacy that, although it has not been widely studied, is part of the rich visual fabric of German historicism of his time.
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