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French school; c. 1820-1830.

Auction Lot 127 (40022100)
French school; c. 1820-1830.
"Charity."
Oil on canvas.
It has punctures on the canvas.
It has a period frame, c. 1830.
It shows remains of illegible signature in the lower left corner.
Measurements: 116 x 96 cm; 137 x 117 cm (frame).

Open live auction
Estimated Value : 1,500 - 1,800 €
Live auction: 10 Dec 2025
Live auction: 10 Dec 2025 16:00
Remaining time: 18 days 08:25:20
Processing lot please standby
Next bid: 900

BID HISTORY

DESCRIPTION

French school; c. 1820-1830.
"Charity."
Oil on canvas.
It has punctures on the canvas.
It has a period frame, c. 1830.
It shows remains of illegible signature in the lower left corner.
Measurements: 116 x 96 cm; 137 x 117 cm (frame).
Painting of costumbrista character that presents a scene carefully constructed around the benevolent gesture of an ecclesiastic that offers help to a peasant family. In a rural environment described with narrative precision, the humble house, the cow next to the girl, the landscape that opens in the background, the composition organizes the figures around the priest, who becomes the moral and visual axis of the whole. The woman holding a child, the kneeling young man kissing the hand of the benefactor and the other characters observing the action respond to the sentimental and uplifting language characteristic of this type of representation.
The work is part of the pictorial tradition of the first third of the 19th century in France, a period in which the themes of charity, virtue and beneficence were widely disseminated in history and genre painting, encouraged by a climate of moral recovery after the revolutionary and Napoleonic instability. These scenes, intended for a bourgeois public as well as for religious or philanthropic institutions, sought to combine a plausible description of everyday life with an exemplary message. The painter, attentive to detail and restrained expressiveness, constructs a visual narrative that celebrates social harmony and the tutelary function of the clergy, articulating an ideal of concord between estates that was especially appreciated in academic taste and in the visual culture of the Restoration and the beginnings of the July Monarchy.

COMMENTS

Punctures in the canvas.

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