José Navarro Llorens

JOSÉ NAVARRO LLORENS (Valencia, 1867 - 1923).
"Herd of turkeys and ducks".
Oil on canvas.
Presents a patch on the back.
Signed in the lower right corner.
Measurements: 27 x 33 cm; 54 x 50 cm (frame).
Navarro Llorens develops in this work a rural scene of marked naturalistic sensibility, where the daily life of the Valencian countryside becomes the absolute protagonist. The composition presents a young shepherdess guiding a group of birds in an open and silent landscape, built through a serene atmosphere and a filtered light that envelops the scene in a poetic and melancholic tone. The work reflects some of the most characteristic features of Navarro Llorens' pictorial language: a vibrant and loose brushstroke, an interest in lighting effects and a special attention to the transparencies and earthy tones of the landscape. The artist transforms a humble and traditional scene into an image of great visual sensitivity, where the Mediterranean light models both the figures and the natural environment.
José Navarro Llorens took an early path to painting, and studied at the School of Fine Arts of San Carlos, in his hometown. After his student period we lose track of him, and we will not find him again until 1895 when, according to Pantorba, he participated for the first and only time in the National Exhibition of Fine Arts, obtaining an honorary mention. It seems that Navarro never intended to project his work beyond a limited local scope, as can be deduced from the fact that, in his early years, he devoted himself to painting costumbrista and gallant scenes for fans. Nevertheless, his early works show a certain influence of the style of Mariano Fortuny, whom Navarro admired, and from whose example he may have been inspired to travel to Morocco in a second stage. This trip must have taken place shortly after finishing his studies, and he devoted himself to painting local, North African and Orientalist themes, such as the one we present here. At the beginning of the 20th century he was hired to decorate a palace in Buenos Aires, although Navarro never arrived in Argentina. He embarked with such a destination, but during a stopover in Rio de Janeiro the painter decided to stay there indefinitely. In the Brazilian city he continued to work and held an exhibition that was widely celebrated. However, nostalgia for his homeland, the absolute protagonist of his pictorial language, led him to return to Valencia, settling in Godella permanently. There he lived the rest of his life in a simple and humble way, giving painting classes at the town's Academy and painting tirelessly. His style draws from various influences, such as Fortuny, Domingo Marqués or Levantine luminism, but it always manifested itself deeply personal, linked to Navarro's own way of understanding the world. His painting refers to Mediterranean clarity through beautiful transparencies, a corporeal luminosity and nervous and vibrant brushstrokes. His is an energetic, robust and vital realism, which turns light into a plastic and even tactile value, rather than a chromatic one. José Navarro is represented in the Fine Arts Museums of Valencia and Asturias, the Carmen Thyssen Museum in Malaga and in the Gerstenmaier collection, among other public and private collections.