Juan Luna
“Study of a Merchant Ship and a Bouquet of Poppies and Daisies,” ca. 1878–85.
Black pencil and gouache on paper.
Accompanied by a certificate issued by José María Quesada Valera.
Signed in the center.
Shows signs of water damage.
Measurements: 44 × 31 cm; 83 × 64 cm (frame).
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DESCRIPTION
JUAN LUNA Y NOVICIO (Badoc, Philippines, 1857–Hong Kong, 1899).
“Study of a Merchant Ship and a Bouquet of Poppies and Daisies,” ca. 1878–85.
Black pencil and gouache on paper.
Accompanied by a certificate issued by José María Quesada Valera.
Signed in the center.
Shows signs of water damage.
Measurements: 44 × 31 cm; 83 × 64 cm (frame).
This drawing offers a particularly evocative side of Juan Luna: that of the draftsman who uses paper as a space for observation and experimentation, bringing together independent motifs through different techniques and levels of finish. Works on paper occupy a well-documented place within his body of work; the National Museum of Fine Arts in Manila holds several portraits and sketches from life executed in charcoal in the 1870s.
In the distance, the boat—rendered primarily in charcoal—appears suspended over barely suggested waters, in which smudging and horizontal strokes suggest its reflection. In contrast to the monochromatic nature of the boat, the poppies and daisies in the foreground are rendered with a freer application of color. The reds, whites, and greens overlap without completely obscuring the underlying drawing, preserving the freshness characteristic of a study taken directly from life. The upward arrangement of the stems and the varying orientations of the corollas lend rhythm to a composition that combines botanical observation with spontaneous execution.
The coexistence of both subjects on the same sheet—the merchant ship depicted with almost technical precision and the floral arrangement treated with greater chromatic freedom—offers a direct insight into Luna’s creative process. Rather than a conventional narrative composition, the piece possesses the immediacy of a working sketch, unique for its unexpected combination of motifs and for demonstrating, on a single surface, his mastery of both line and color.
Juan Luna was a leading figure in 19th-century Filipino art and one of the most internationally recognized Hispano-Filipino artists. Trained in Manila, Madrid, and Rome, he won a second medal at the 1881 National Exhibition of Fine Arts for *The Death of Cleopatra* and the first medal in 1884 for *Spoliarium*. His work is represented in the Prado Museum and the National Museum of Fine Arts in Manila.
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