Antoni Tàpies
“Flacon (Bottle),” 1984.
Etching and resins in various colors on Auvergne Richard de Bas paper. Number 42/50.
Work reproduced in *Tàpies. Obra gràfica. Graphic Work 1979–1986*, Gustavo Gili, p. 181.
Shows slight foxing and discoloration on the paper.
Publisher: Galerie Lelong, Paris.
Printer: J. Barbarà (Barcelona).
Signed and numbered in pencil.
Measurements: 30 x 40 cm; 51.5 x 66.5 cm (paper).
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ANTONI TÀPIES (Barcelona, 1923–2012)
“Flacon (Bottle),” 1984.
Etching and resins in various colors on Auvergne Richard de Bas paper. Copy 42/50.
Work reproduced in *Tàpies. Obra gràfica. Graphic Work 1979–1986*, Gustavo Gili, p. 181.
Shows slight foxing and discoloration on the paper.
Publisher: Galerie Lelong, Paris.
Printer: J. Barbarà (Barcelona).
Signed and dated in pencil.
Measurements: 30 x 40 cm; 51.5 x 66.5 cm (paper).
This work is an interesting example of Antoni Tàpies’s visual and conceptual universe during the 1980s, a period of full creative maturity in which the artist had established his own artistic language, based on material experimentation, abstraction, and the symbolic transformation of everyday objects. Under the title *Flacon* (*Bottle*), Tàpies takes an everyday object as his starting point and transforms it into the focal point of a composition of great expressive power. Far from reproducing the object from a descriptive or conventional perspective, he subjects it to a process of synthesis and reinterpretation through energetic strokes, splashes of color, signs, and seemingly spontaneous graphic elements. This approach reflects one of the fundamental principles of his artistic philosophy: the ability to discover meaning in the simplest elements of reality.
The choice of a printmaking technique that incorporates resins and various printing processes allows the artist to explore the physical possibilities of the surface, bringing the printed work closer to the material richness of his painting. In this sense, *Flacon* highlights how Tàpies understood printmaking not as a secondary or merely reproductive practice, but as an autonomous medium of creation.
Antoni Tàpies was one of the most prominent Spanish artists of the contemporary art world and a key figure in European Informalism. Largely self-taught, he co-founded the Dau al Set group in 1948 and achieved international recognition for his innovative material and abstract language. Among his major honors are the Prince of Asturias Award for the Arts and the Praemium Imperiale (1990). His work is included in major international collections, such as those of MoMA and the Guggenheim in New York, the Centre Pompidou in Paris, and the Reina Sofía Museum in Madrid.
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