Manuel Marín

MANUEL MARÍN (Cieza, Murcia, 1942 - Málaga, 2007).
Untitled.
Polychrome metal. Piece removable in three parts.
It shows wear and scratches.
Signed on the base.
Measurements: 163 x 260 x 95 cm.
Mobile sculpture made of metal, in which the artist has used different tones of a primary chromatic range. This feature defines the work within the aesthetic current of neoplasticism, which popularized this range of colors and experimentation in their representation. It is worth mentioning the work of Manuel Marín, which demonstrates his clear link with the avant-garde trends, the application and development of these trends in his own production through a unique and personal language.
Manuel Marín started in the world of bullfighting at the age of ten, and made his first bullfight at the age of sixteen. However, at the age of twenty he traveled to London and began working in an art gallery, entering definitively into the world of sculpture. There he met the British artist Henry Moore, who hired him as an assistant in the realization of his bronze sculptures. In 1964 he moved to New York, where he worked as an art restorer until he opened his own gallery, The American Indian Art Gallery, which counted among its clients Warhol, Basquiat, De Kooning, Keith Haring and others. Attracted to mobile sculptures, he began creating his own works in 1969, and the following year held his first exhibition at the Alan Brown Gallery in Scardele, New York. Since then he has shown his work in various New York venues, as well as in Canada, Italy, Mexico, China, Puerto Rico, Japan and Spain. He currently has public monuments in various parts of the United States and Spain, and is represented in Spanish and foreign collections, having achieved critical and public recognition for his artistic production.