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Andy Warhol

Auction Lot 40043530
ANDY WARHOL (Pittsburgh, U.S., 1928 – New York, U.S., 1987).
“Halston Advertising Campaign: Women’s Accessories,” 1982.
Silkscreen print on paper.
Bears the stamp of the L’elicottero Gallery, Lugano, on the reverse.
Bibliography: F. Feldman, J. Schellmann, C. Defendi, “Andy Warhol Prints: A Catalogue Raisonné 1962–1987,” Fourth edition, revised and expanded, ed. Feldman & Schellmann, New York 2002, no. III. B 10.
Measurements: 57.5 x 73 cm; 65 x 80 cm (frame).

Open live auction
Estimated Value : 1,400 - 1,800 €
Live auction: 23 Sep 2026
Live auction: 23 Sep 2026 15:00
Remaining time: 60 days 22:24:44
Processing lot please standby
Next bid: 800

BID HISTORY

DESCRIPTION

ANDY WARHOL (Pittsburgh, U.S., 1928 – New York, U.S., 1987).
“Halston Advertising Campaign: Women’s Accessories,” 1982.
Silkscreen print on paper.
Bears the stamp of the L’elicottero Gallery, Lugano, on the reverse.
Bibliography: F. Feldman, J. Schellmann, C. Defendi, “Andy Warhol Prints: A Catalogue Raisonné 1962–1987,” Fourth edition, revised and expanded, ed. Feldman & Schellmann, New York 2002, no. III. B 10.
Signed with a marker in the upper left corner.
Measurements: 57.5 x 73 cm; 65 x 80 cm (frame).

Considered a guru of modernity, Warhol has been one of the most influential artists of the 20th century. The son of Slovak immigrants, he began his art studies at the Carnegie Institute of Technology between 1945 and 1949. In his final year there, already established in New York, he began his career as a commercial illustrator for various magazines such as *Vogue*, *Harper’s Bazaar*, *Seventeen*, and *The New Yorker*. At the same time, he painted canvases whose themes were based on elements or images from everyday life, advertising, or comic books. He soon began exhibiting in various galleries. He gradually eliminated any expressionist traits from his work until his art was reduced to a serial repetition of a popular element drawn from mass culture, the world of consumerism, or the media. This evolution reached its peak of depersonalization in 1962, when he adopted a mechanical screen-printing process as his working method, through which he systematically reproduced icons of contemporary society; the most representative examples of this are the series dedicated to Marilyn Monroe, Elvis Presley, Elizabeth Taylor, and Mao Zedong, as well as his famous treatment of Campbell’s soup cans—all of which were created during the prolific 1960s. His work is currently represented in the world’s most important contemporary art museums, such as MoMA, the Metropolitan, and the Guggenheim in New York; the Fukuoka Museum of Art in Japan; the Kunstmuseum in Basel; the National Museum of 21st-Century Art in Rome; the MUMOK in Vienna, the SMAK in Ghent, and the Tate Gallery in London, as well as in the museums bearing his name in Pittsburgh and Medzilaborce (Slovakia).

COMMENTS

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