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Maxime Noiré

Auction Lot 25 (35303807)
MAXIME NOIRÉ (France, 1861–1927).
“Oriental Landscape on the Banks of the Wadi, in the Foothills of the Atlas Mountains,” late 19th century.
Oil on canvas.
Original Orientalist frame.
Measurements: 46 x 135 cm.

Open live auction
Estimated Value : 7,000 - 7,500 €
Live auction: 23 Jul 2026
Live auction: 23 Jul 2026 16:00
Remaining time: 20 days 17:36:29
Processing lot please standby
Next bid: 4400

BID HISTORY

DESCRIPTION

MAXIME NOIRÉ (France, 1861–1927).
“Oriental Landscape on the Banks of the Wadi, in the Foothills of the Atlas Mountains,” late 19th century.
Oil on canvas.
Original Orientalist frame.
Measurements: 46 x 135 cm.

A self-taught painter, Maxime Noiré quickly developed a personal style based on direct observation of light and desert landscapes. Unlike many Orientalist painters of his time, who preferred exotic scenes filled with figures, Noiré was primarily interested in nature itself: oases, mountains, wadis, palm groves, and vast, sun-drenched rocky expanses. This painting depicts a landscape bathed in soft light. In the foreground, a body of water reflects the pastel hues of the sky and the surrounding hills. To the left, several slender palm trees rise near the water’s edge. In the background, the desert mountains—with their shades of pink, ochre, and violet (the Atlas Mountains)—stretch out under a warm light. The palette is delicate, with Impressionist touches that prioritize atmosphere and light over meticulous detail.

Maxime Noiré was a French Orientalist painter who specialized in landscapes of Algeria, the country where he settled permanently after arriving in 1882. Self-taught, he developed a body of work centered on depicting the light, the vastness, and the chromatic hallmarks of North Africa, particularly regions such as Bou Saâda, the Aurès Mountains, and the Sahara. His style combines a solid naturalism with a touch of Post-Impressionist influence, distinguished by his sweeping panoramas, luminous skies, and a warm palette that makes the landscape the true protagonist of his compositions. In 1905, he was appointed Official Painter of the French Navy and Colonies and played a prominent role in the development of French colonial painting; he was also a co-founder of the Société des Artistes Algériens et Orientalistes. Today he is considered one of the leading French Orientalist landscape painters and one of the finest artistic interpreters of the Algerian landscape in the late 19th and early 20th centuries.

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