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Píxide; Spain, 18th century.

Auction Lot 40041106
Pyx; Spain, 18th century.
Silver and gilded silver inside.
Presents punches.
Measurements: 15 x 9,5 cm.
Weight: 220 g.

Open live auction
Estimated Value : 3,000 - 3,500 €
Live auction: 27 May 2026
Live auction: 27 May 2026 15:00
Remaining time: 22 days 12:25:53
Processing lot please standby
Next bid: 2500

BID HISTORY

DESCRIPTION

Pyx; Spain, 18th century.
Silver and gilded silver inside.
Presents punches.
Measurements: 15 x 9,5 cm.
Weight: 220 g.
This type of object, of eminently sacramental use, is closely linked to the rite of the Eucharist, where it acquires a functional as well as symbolic dimension, by guarding that which represents the real presence of Christ. Formally, the pyx presents a closed and autonomous structure, composed of a cylindrical body elevated on legs and topped by a domed lid crowned with a cross. This last element not only acts as a sign identifying the sacred content, but also reinforces the symbolic verticality of the object, guiding the viewer's gaze towards the transcendent. The use of metal, probably silver or gilded silver, responds both to criteria of durability and to the need to confer material dignity to the liturgical object, in line with historical ecclesiastical regulations.
From a stylistic point of view, the decoration shows a combination of structural sobriety and delicate ornamentation. The openwork border surrounding the lid introduces a play of light and shadow that visually lightens the volume, while the incised details and the polished surface reflect a refined artisan tradition. The side chain, a functional element for securing the lid, adds a dynamic nuance and evidences attention to the practical use of the object.
In the Spanish context, pieces like this one can be placed within a long tradition of sacred goldsmithing that reached great development between the 16th and 18th centuries, particularly in centers such as Toledo or Seville. Although precise dating would require a more exhaustive technical analysis, the typology and ornamental treatment suggest a continuity of baroque models in which material wealth is placed at the service of devotion.

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