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Parietal relief with vegetal decoration. Byzantine Empire, 6th - 7th centuries AD.

Auction Lot 40041574
Parietal relief with vegetal decoration. Byzantine Empire, 6th - 7th centuries AD.
Limestone.
Provenance: Fortuna Fine Arts, New York. Private collection, New York, USA. Acquired from the above.
Condition: good condition. No restorations.
Measurements: 45 x 66 x 8 cm.

Open live auction
Estimated Value : 10,000 - 12,000 €
Live auction: 04 Jun 2026
Live auction: 04 Jun 2026 15:00
Remaining time: 22 days 15:00:06
Processing lot please standby
Next bid: 7000

BID HISTORY

DESCRIPTION

Parietal relief with vegetal decoration. Byzantine Empire, 6th - 7th centuries AD.
Limestone.
Provenance: Fortuna Fine Arts, New York. Private collection, New York, USA. Acquired from the above.
Condition: good condition. No restorations.
Measurements: 45 x 66 x 8 cm.

Byzantine parietal relief in limestone, dated between the 6th and 7th centuries A.D., decorated with an exuberant vegetal repertoire carved in relief. The composition is organized around a central opening, framed by leaves, scrolls, flowers and fruits arranged with great ornamental sense, creating an effect of depth and movement characteristic of Late Antique and Byzantine decorative sculpture.

The piece stands out for the richness of its carving and the intensity of its vegetal language, where natural motifs are transformed into a symbolic and architectural pattern. The fluted leaves, clusters and floral forms generate a dense decorative network that combines classical tradition and Byzantine sensibility, with a clear taste for rhythmic repetition, chiaroscuro and stylization.

This type of relief was part of the architectural decoration of prestigious buildings, possibly in a religious or palatial context, where plant ornamentation evoked ideas of abundance, life, renewal and transcendence. Its parietal character and rectangular format suggest a function integrated in a larger decorative program, conceived to ennoble the space by means of a richly worked surface.

In addition to its artistic interest, it has a relevant provenance, linked to Fortuna Fine Arts in New York and later to a private collection in New York. The absence of restorations reinforces its archaeological value, as the piece retains its material integrity and a clean ornamental reading.

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