Banksy
"GDP Rat," 2019.
Silkscreen on 50 gsm paper.
Edition: randomly distributed at the Gross Domestic Product (GDP) fair in Croydon. The exact number of copies is unknown, but they are rare.
Very good condition.
Attached letter of provenance and parking ticket from day of delivery: 10/14/2019.
Measurements: approx. 50,5 x 38,5 cm.
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DESCRIPTION
BANKSY (Bristol, England, 1975).
"GDP Rat," 2019.
Silkscreen on 50 gsm paper.
Edition: randomly distributed at the Gross Domestic Product (GDP) fair in Croydon. The exact number of copies is unknown, but they are rare.
Very good condition.
Attached letter of provenance and parking ticket from day of delivery: 10/14/2019.
Measurements: approx. 50,5 x 38,5 cm.
Banksy, the British artist whose identity is still unknown, is considered one of the main exponents of contemporary Street Art. According to a study by Queen Mary University of London published in March 2016, Robin Gunningham, a resident of Bristol, would be the artist behind Banksy's pseudonym, however this fact has not been proven, as the artist opted for the privacy of his identity since the beginning of his career. Thus questioning the limits that exist between art and legality, from a new perspective different from that of other graffiti artists. His works address universal themes such as politics, culture or ethics, mostly treated from a satirical and ironic point of view, combining writing with graffiti with the use of stencils, which are stencils previously made, allowing a greater speed when painting in the street. This technique is similar to the one used by Blek le Rat, who started working with stencils in 1981 in Paris. In fact, Banksy acknowledged Blek's influence by stating that "every time I think I've painted something slightly original, I realize that Blek le Rat did it better, only twenty years earlier." Banksy's popularity, has not only been due to his art, but also to the way he conceives and exhibits it. Example of this is the creation of Dismaland in 2016, or the self-destruction of his work at Sotheby's in 2018. Thus demonstrating that his art plays with the concept of the subversive, oscillating between the urban and the market in an ironic way.
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