Dress carving or cap-i-pota of the Virgin of Mount Carmel, late 18th century-early 19th century

Dress carving or cap-i-pota of the Virgin of Mount Carmel, late 18th century-early 19th century.
Carved and polychrome wood. Period dress in delicate fabrics embroidered with gold and silver thread.
Measurements: 86 x 35 x 27 cm.

Sculpture of typology "Cap i Pota" (head and feet), of Carlos IV period, which responds to the iconography of the Virgin of Carmen with Baby Jesus. The Virgin of Carmen is named after Mount Carmel, in Israel. According to tradition, during the celebration of Pentecost some of the faithful who were on that mountain were converted to Catholicism after the apparition of the Virgin. In that place they founded a temple in honor to Mary, origin of the congregation of the Brothers of Saint Mary of Mount Carmel, which passed to Europe in the 13th century after their persecution in the Holy Land.
The "cap i pota" images are figures worked in detail only on the face and hands, on a wooden structure carved to a greater or lesser extent. Although the figures for dress were often used in processions, in this case it is a figure intended for private devotion, given its small size. The visible parts are covered with a thin layer of stucco and polychromed, while the rest is covered by real clothes. They are images that were especially liked for their naturalism, since by wearing authentic clothes a greater degree of realism was achieved than with the simply carved ones, which often did not have enough quality to achieve that degree of naturalism, so sought after in religious art since the Baroque period.