Eduardo Arroyo

EDUARDO ARROYO (Madrid, 1937-2018).
"Anzuelo", 1989.
Work formed by a hat-sculpture, a graphic work (copy 16/33) and a drawing.
Measurements: 30 x 33 cm; 54 x 57 cm (drawing frame) / 51 x 35 cm (plate); 73 x 53 cm (paper) and 84 x 62 cm (graphic work frame) / 20 x 16 x 20 cm (hat-sculpture).
Painter, sculptor and engraver, Arroyo stands out as an important figure within the neo-figurativist movement. After starting his career in journalism, he began painting in the late fifties, appearing for the first time at the Salon de Peinture Jeune de Paris in 1960. At the beginning of the sixties his plastic vocabulary moved under the American influence of pop art, and in 1964 his break with informal art became definitive. His first public impact came in 1963, when he presented a series of effigies of dictators at the Third Paris Biennial, which provoked protests from the Spanish government. That same year, Arroyo prepared an exhibition at the Biosca Gallery in Madrid, which was inaugurated without his presence since he had to flee to France, pursued by the police; the exhibition was censored and closed a few days later. However, Arroyo's figurative option took a long time to be accepted in Paris. The painter rejected the unconditional devotion to certain avant-gardists, such as Duchamp or Miró, which he considered imposed by fashions. Actually, his interest is to demystify the great masters and defend the role of the market as protector and thermometer of art, as opposed to the network of museums and influences paid for with public money. In 1974, Arroyo was expelled from Spain by the regime, and he would not recover his passport until Franco's death. However, his critical takeoff in Spain was not immediate, and would be delayed until the early eighties. In 1982 he was awarded the National Prize for Plastic Arts, and anthological exhibitions were dedicated to him at the National Library in Madrid and the Pompidou Center in Paris. Currently, Arroyo is represented at the Museo Nacional Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the Museo de Bellas Artes in Bilbao, the Hirshhorn Museum and Sculpture Garden in Washington D.C. and the Museo de Arte Moderno in Lille (France), among others.