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35324770-(100).jpg

Karenina Fabrizzi

Auction Lot 35324770
KARENINA FABRIZZI (Italy, 1970).
"Josephine A".
Oil on paper mounted on wood.
Ready to hang.
Measurements: 40x30 cm.

Last Bid : 160
ITEM SOLD
Auction complete
BID HISTORY

DESCRIPTION

KARENINA FABRIZZI (Italy, 1970).
"Josephine A".
Oil on paper mounted on wood.
Ready to hang.
Measurements: 40x30 cm.

Karenina Fabrizzi studied and attended art workshops in different cities: School Of Visual Arts New York; City Lit College, London; Fine Art & Graphic Design, Escuela superior de Creativos Publicitarios, Buenos Aires; Murals, frescos, Oil paintings and preparation of surfaces and walls, Milan; Fine Art Workshop, Life Drawing and Painting, Boter Santaló, Barcelona. Exhibitions: AAF NYC, Michele Mariaud Gallery NYC; PULSE Miami, Michele Mariaud Gallery NYC, Art on paper NYC, Michele Mariaud Gallery NYC, Edinburg art fair, UK Curious egg, Scotland. Manchester Art fair, UK Artzu gallery UK. 2015 ARTZU Gallery Manchester,UK; Bushwick Open studios Brooklyn, NY: solo at Blair Clark Art consultant, New York; Glasgow Art Fair Arusha gallery; Liverpool Art Fair Arusha gallery; AAF, London Battersea; Villa del ArteAAF Brussels; Villa del arte, Maison & Object Paris, Ici et la. 2014- AAF, Singapore, Villa del arte, Arusha Gallery, Edinburgh Art Fair; Arusha Gallery Edinburgh, UK; "It's just a quick walk to the future from here" AAF Hamburg, Villa del arte AAF Amsterdam; AAF Stockholm AAF London; Affordable Art Fair Battersea, Villa del arte Gallerie. 2013-AAF Hamburg, Villa del Arte, Barcelona; AAF Seattle, Villa del Arte, Barcelona, AAF Amsterdam, AAF New York, La Plataforma, AAF London Battersea Park, UK; 2012-"Kaleidoskop oder die Lust an der Kunst"; Connex & Salve Art Gallery Halle, Germany; Swiss Art Space, Lausanne Switzerland; Salve Art Gallery Leipzig, Germany; solo show La Plataforma Art Gallery, Barcelona, among others. "Flowers and plants intertwine with the bodies, symbolizing our thoughts, our experiences and our subconscious, as in a whisper. Infinite layers of paint subtly overlap- My work has an obvious dark side but also embodies a sense of fragility and vulnerability that is constant in my work. A subtle injection of ambiguity that blurs the difference between the ordinary and the fantastic. This underworld is formed as in the fantasy of an innocent child, in such a way that it almost seems like a dream. As in a fairy tale, our memory and our memories are psychologically linked to an almost real world".

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